New York Times Review: ‘Come From Away,’ a Canadian Embrace on a Grim Day

Try, if you must, to resist the gale of good will that blows out of “Come From Away,” the big bearhug of a musical that opened on Sunday night at the Gerald Schoenfeld Theater. But even the most stalwart cynics may have trouble staying dry-eyed during this portrait of heroic hospitality under extraordinary pressure.

“Come From Away” — set, you should know, on and after the world-shaking date of Sept. 11, 2001 — pushes so many emotional buttons that you wind up feeling like an accordion. That does not mean that you’ll leave thinking you have been played.

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